IMEJ NEGARA TURKI DALAM NOVEL DAKWAH PASCA ISLAMISME DI MALAYSIA DAN INDONESIA
THE IMAGE OF TURKIYE IN POST ISLAMISM DAKWAH NOVELS IN INDONESIA AND MALAYSIA
DOI:
https://doi.org/10.61465/jurnalyadim.v6.389Keywords:
Kesusasteraan Melayu, novel, dakwah, Pasca Islamisme, TurkiAbstract
Fenomena novel dakwah Islam di Indonesia dan Malaysia yang bermula pada tahun 2004 sehingga kini mencetuskan perbincangan baharu yang dapat diklasifikasikan sebagai kesusasteraan pasca Islamisme. Perbincangan mengenai kesusasteraan pasca Islamisme amat kurang kerana konsep pasca Islamisme sering dikaitkan dengan politik dan pemikiran Islam semasa. Namun, hasil penelitian menunjukkan bahawa kesusasteraan dakwah pasca Islamisme dikaitkan dengan tiga faktor utama iaitu proses dakwah Islam masyarakat yang berterusan, budaya media yang tumbuh hasil kesuburan politik demokrasi dan persaingan antara penerbit yang dipacu ekonomi semasa. Manakala, struktur naratif kesusasteraan pasca Islamisme diikat oleh nilai-nilai komersial, kontemporari dan penjenamaan popular. Salah-satu kecenderungan novel kesusasteraan dakwah pasca Islamisme adalah mengangkat latar negara-negara majoriti umat Islam dengan penyatuan antara isu serius seperti masalah politik dunia Islam dengan isu yang lebih ringan iaitu cinta romantik Islam. Kajian ini memfokuskan kepada dua novel yang menjadikan Turki sebagai latar cerita iaitu novel Api Tauhid (2015) karya Habiburrahman El-Shirazy dan Rona Bosphorus (2002) karya Zaid Akhtar. Kajian mendapati wujud persamaan antara kedua novel bagi memposisikan Turki sebagai negara hero umat Islam dari segi politik dan ekonomi, di samping isu-isu dakwah kontemporari. Secara tidak langsung, Turki telah dijadikan ikon dalam pengukuhan kesusasteraan dakwah pasca Islamisme di Indonesia dan Malaysia.
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